Although film industry disrespected Saroj Khan, she said, “I’ll choreograph till the end of my life”  

Shamefully,  there were only five people at Saroj Khan’s  funeral on  the  morning  of 3 June. Three  of them  were her children (a son and two daughters) and two were  choreographers Remo d’Souza and Ahmed Khan.

Saroj Khan was to Bollywood choreography what Naushad was to film music. Before  her choreographers were shadowy figures in the background. She brought a full-bodied recognition to film choreography, and also prompted Filmfare to instate an award for choreography.

Actresses specially Sridevi and  Madhuri Dixit dancing to Ms Khan’s rhythms acquired a special allure.

Saroj Khan was  a perfectionist in her dance moves and unsparing in her quest for that perfection.

A very popular actress from the 1990s tells this anecdote about her experience  of being choreographed by the mighty Saroj Khan. Apparently the actress couldn’t get the steps right.

Saroj called actress aside and asked, “There is no lachak (swing)  in your dance steps. Haven’t you ever done it?”

It took the actress a while to understand what “it” meant. Saroj Khan was like that. Outspoken to an embrassing degree if push came to shove, and the swing in the hips to a deadend.

Every time I spoke to Saroj Khan in recent years she was disgruntled, unhappy and disillusioned with the way the film industry and specially some  junior choreographers  treated her, specially Farah  Khan. During the  promotion of  the film ‘Happy New  Year’ , Farah and comedian Kuku Sharda lampooned  Saroj Khan.

Saroj was rightly hurt and angry. “I saw what they did on the TV show. Does this kind of behaviour suit her? I really feel sorry for these people. I don't know what they stand to gain from targeting me in this way. Now, she is no longer a choreographer. She is a director. I've never gone to her for work. Then why do I matter so much to her? Just to stay in the news? I am no more in the limelight. I am out of the film industry now. My focus is on teaching dancing to children. I am busy with that. Allah Miyan ne pet diya hai bharega bhi wohi. Why does she feel threatened by me? Why is she feeling so frustrated? I've never spoken behind her back. Yet Farah and her brother continue to bitch about me."

Regarding constant barbs about her weight, Saroj asked me, "Why target me? Why not Ganesh Acharya? He's more overweight than me. And please come and see me now. I am slimmer than Farah Khan.I think Farah owes me an apology."

Saroj Khan  was extremely disheartened by recent choreographic trends. "I feel dancing in our films is going down the drain. Earlier audiences watched film dances with their mouths open. Now saliva falls out of their mouths. Film dances are no longer art. They've become too commercial. Now my children have grownup . I've grandchildren. I'm only interested in doing selected films

She disapproved of the trend of choreographers allowing their assistants to compose dances. "I never did that. Farah Khan and Vaibhavi Merchant adopt any movement from their assistants that catches their fancy. If an assistant choreographs a number what right does Farah Khan have to take the award? It's good that her assistant Geeta Kapoor has branched out on her own. When I go to collect an award I do with the pride of knowing that it's rightfully mine.”

Saroj Khan remained indebted to her guru. “ I never forget I've graduated from P.L. Raj-ji's school of choreography. This is the man who composed the dance for Hothon pe aisi baat. How can I let him down? Today I don't feel like putting the TV on to watch the dances. My grandchildren watch Cartoon Network rather than the film songs. I liked Aishwarya's songs. But of late even they look very strange. I was supposed to do Umrao Jaan with Aishwarya Rai. But something happened between me and Mr J.P.Dutta. So I walked out."

Why  did  Aishwarya stop working with Saroj Khan? "I don't know. Maybe she no longer likes my style. I'm sure she has found better choreographers to work with...But I must say ‘Kajra Re..’ didn't impress me much as a dance number. Still it took away all the awards. I took all the awards for Aaj-kal mujhko hai intezaar although the film Sailaab had flopped...Now they say Bunty Aur Babli worked because of Kajra Re. I feel like laughing at some of the awards juries. They found some of my movements vulgar and gave me awards for the same movements in another song.”

Despite being sidelined  in recent years,  Saroj Khan wasn’t willing  to move on. "I'll keep choreographing until the end of my life. But I won't get into a rut. I wouldn't do dances just to earn money. Nor will I seek out work. I never did that during Sridevi and Madhuri . Why should I do it now? I feel the younger stars feel I belong to the older generation. Like Abhishek with whom I worked in Refugee and Kuch Na Kaho, prefers Vaibhavi or Remo . Maybe they feel I'm part of the past. But I like choreographing Aishwarya Rai. I like the way Priyanka Chopra dances. "